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Fela Ransome-Kuti In addition to being a musician, Fela was a political activist and a Pan-Africanist. He was a strong advocate for African culture and was influenced by Black Power. He traveled to Ghana, where he discovered new musical influences. He composed songs meant to be political attacks against the Nigerian government and a world order that was systematically exploiting Africa. His music was uncompromisingly radical. Fela Ransome Kuti was born Abeokuta In the 1970s and 1980s, Fela Ransome-Kuti became known for his abrasive musical style and rebellious political statements. Many of his songs were direct critiques of the Nigerian government and the military dictatorships that took over the country during those years. He also criticised fellow Africans who supported these dictatorships. Fela's rebellion against oppressive governments cost him dearly. He was beaten, arrested and even jailed a number of times. He once claimed to be a “prisoner of the Kalakuta Republic” and founded his own political organization called the Movement for the Advancement of the People (MOP). Fela's mother was Funmilayo Ransome-Kuti known as a well-known feminist leader and rights for women activist. She was an active member of the Abeokuta Women's Union and worked as an educator. She also assisted in organizing the first preschool classes of Abeokuta. She was a suffragist and was a part of the Nigerian Independence Movement. She was a close cousin of the writer and Nobel laureate Wole Soyinka. Ransome-Kuti supported Pan-Africanism, and was a fervent socialist. She advocated the preservation of traditional African religions and lifestyles and opposed European cultural imperialism. Ransome-Kuti was influenced by the Black Power movement and the works of Malcolm X and Eldridge Cleaver. She was also a member of the African Renaissance movement. Despite his opposition to Western culture and the oppressive Nigerian government, Fela was able to gain a wide audience through his music. fela claims railroad employees incorporated elements of Afrobeat rock, rock, and jazz and was heavily inspired by the beats of American jazz clubs. He was also a staunch anti-racist. Fela's rebellion in Nigeria against the ruling party led to numerous arrests and beatings. This did not deter him from traveling the United States and Europe. In 1984, he was again snubbed by the military government and was detained on dubious charges of currency smuggling. The incident prompted international human-rights groups to intervene and the government to back down. Kuti however, continued to record and perform up until his death in 1998. He was buried at the Kalakuta Cemetery in Abeokuta. The Fela Museum is located in the city. He was a musician A passionate Pan-Africanist, Fela was adamant about using his music as a form of social protest. He was a critic of the Nigerian Government while inspiring activists all over the world. Fela was an African born in Abeokuta in 1938. He was the son of Funmilayo Ransome Kuti, an anticolonialist and leader of the Nigerian women's movement. His mother like his grandparents was a physician who was an anti-colonialist. His life's work was to fight for the rights and freedoms of the oppressed. Fela began his career as a musician in 1958 after dropping out of medical school in order to pursue his love of music. He began playing highlife, a cult music genre that blends traditional African rhythms with Western instruments, and jazz. He formed his first group in London and was able to develop his skills. On his return to Nigeria he created Afrobeat that combines the lyrics of agitprop with danceable rhythms. The new style was popular in Nigeria and across the continent, and became one of the most influential styles of African music. In the 1970s the political activism of Fela put him in direct conflict with Nigerian military regimes. The regime was worried that his music would inspire people to fight against their oppressors and also to challenge the status quo. Despite repeated attempts to disarm him, Fela continued to make incredible and extremely danceable music until the end of his life. He died in 1997 from complications related to AIDS. While Fela was alive, crowds of people were always out the door to watch him perform at his nightclub in Lagos known as Afrika Shrine. He also built an enclave, the Kalakuta Republic, which served as his recording studio, club and spiritual space. The commune was also used as a venue to hold political speeches. Fela criticised the Nigerian government as well as world leaders such as Ronald Reagan, Margaret Thatcher and P.W. Botha, South African Prime Minister. Botha. His legacy lives in spite of his death due complications related to AIDS. His Afrobeat sound has influenced many artists including Beyonce and Wyclef Jean. Jay Z also credits his influence. He was a mysterious figure who loved music women, music, and a good time, but his true legacy lies in his relentless efforts to fight for the oppressed. He was a Pan-Africanist The renowned Nigerian multi-instrumentalist and political activist Fela Anikulapo-Kuti was a Pan-Africanist, bringing his unique musical style to the cause of the people. He was a master at mixing African culture with American jazz and funk. He also employed his music as a method to criticize Nigeria's oppressive government. Despite being subject to constant arrests and beatings, the musician continued to speak out and fight for his beliefs. Fela was born into the prestigious Ransome-Kuti family, which included anti-colonialists as well as artists. His mother Funmilayo Ransome Kuti was a feminist and educator as was his father, Israel Oludotun Ransome Kuti helped form a teachers' union. He was a singer and listened to the traditional tunes and the rhythms of highlife, which included jazz standards, soul songs and Ghanaian hymns. This musical legacy shaped the worldview of Fela who was determined to bring Africa to the world and world to Africa. In 1977, Fela released Zombie, a song that likened the police to a mindless horde that will follow any command, and brutalize the populace. The song angered the military authorities, who seized the home of Fela and took over his property. They beat everyone, including Fela's women and children. His mother was thrown out of an open window and died of injuries suffered during the attack the following year. The invasion was the catalyst for the Fela's anti-government protests. He established a commune known as the Kalakuta Republic. It also was a studio used for recording. He also formed a political party and separated from the Nigerian government, and his songs began to focus more on social issues. In 1979, he took his mother's coffin to the ruling junta's headquarters in Lagos and was arrested for his efforts. Fela was a fearless and uncompromising warrior who refused to accept the status of the game. He was aware that the injustice of fighting an inefficient and unjust power but he refused to give up. He was the epitomization of a spirit of indefatigability and in this manner, his story was truly heroic. He was a man who defied every obstacle and, in the process changed the course of history. His legacy continues to live even today. He died in 1997. The death of Fela was a devastating loss to his fans all over the world. He was 58 years old when he died and his funeral was attended by millions of people. His family claimed that he died of heart failure due to AIDS. Fela played a key contribution to the development and development of Afrobeat music, a genre that combines traditional Yoruba rhythms jazz, as well as American funk. His political activism led to arrests and beatings by Nigerian police, but he refused to be disarmed. He encouraged others to resist the corrupt regime of the Nigerian military regime and preached Africanism. Fela was also a major influence on the Black Power movement in the United States, which inspired him to continue fighting for Africa. In his later years, Fela suffered from skin lesions and he lost weight drastically. These symptoms clearly indicated that he was suffering from AIDS. He refused to accept treatment and denied having AIDS. In the end the disease took him away. Fela Kuti's legacy will live on for generations to come. Kuti's songs are a powerful declaration of political opinions that challenges the status-quo. He was a revolutionist who wanted to change how Africans were treated. He used his music as a method of social protest and was a fighter against colonialism. His music had a profound influence on the lives of a lot of Africans, and he'll be remembered for that. Fela collaborated with numerous producers throughout his career to develop his unique sound. Some of the producers he worked with included EMI producer Jeff Jarratt, British dub master Dennis Bovell and keyboardist Wally Badarou. His music was a blend of traditional African beats, American funk, and jazz, gaining him a global following. He was a polarizing person in the world of music and often criticized Western culture. Fela is known for his controversial music, and his life style. He smoked marijuana in public and had many relationships with women. He was an activist who fought for the rights of the poor in Nigeria despite his extravagant lifestyle. His music was influential in the lives of many Africans and urged them to embrace their own culture.